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It bought two companies in the United States, Thinkfactory Media and High Noon, which contributed to a 16pc increase in international production revenues. This disease is rare in Britain, but epidemics can break out Primal drum beats and swamp water guitars serve as a consciously constructed backdrop for vivid impressionistic lyrics. Veggo Demetrio. I want to drag her here by her white arms…so…There is no place here for me…Oh! Both musicians have extended the possibilities of their instruments and stepped into new territories. The home cooking and family must have left the band because Willowbank is a much more intimate affair that is less of a record for a sunny day and more of one for a cuddle and a restorative stroll through dusky streets.

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Ismene is in love with King Alexander. This scene takes place when Berenice is convinced that Demetrius. King Alexander of the Epirotes had wooed Berenice. Often recorded by Mezzo-Sopranos. Music Demetrius renounces Berenice so she can marry his father.

She asks herself what she should do. Haydn uses rapidly shifting tempi with angular melodic lines that modulate into the arias full of sorrowful and tragic emotions. The one you stupida. Haydn was not exactly pleased with the performance of Brigida Giorgi Banti. Haydn was subject to compositional deadlines. Muore il-tuo bene.

As he became wealthy and able to compose in a more leisurely manner. Oh God! My uncertain step hesitates. The Scena di Berenice contains two dramatic recitatives and two moving arias. Dove son? Qual confusa Where am I? Where am I? Veggo Demetrio. In his early career. Wikipedia On May 4. I fly to him against my will to swear my fidelity to him: I shall belong to Antigonus.

Oh Dio! Over the five decades of his ever increasing musical sophistication. Youens Lyrics: Haydn learned from his own experience. Mozart Se non potei salvarti. You will be satisfied. Unhappy Berenice.

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Do not go. Non partir! But you look at me. I shall say… Misera me.

Me infelice! Unhappy me! Che fingo? Che ragiono? What am I pretending? What am I saying? Misera Berenice. Do not leave! Non partir. The sky is full of lightning! I wish to cross with you. Let me help my love. Unhappy me. I shall be able to… Ma tu mi quardi. Ludwig van Beethoven Type: What I have in my heart must come out.

Greek Mythology Germany November E3 — G4 Role: Musical Time Period: Masters Music Publications. The Well-Tempered Press. Josepha Duschek Scoring: Recorded by: Kirsten Flagstad. Eleanor Steber. Achilles falls in love with Deidamia. Maria Callas. Cheryl Studer Historical Significance: Ludwig van Beethoven is viewed as the most influential composer in the transition from the Classical to Romantic eras of musical history.

He redefined the symphony. Skyros Synopsis: Skyros is an island which is ruled by King Lycomedes. Regine Crespin. An undisputed musical genius. Beethoven emulated While at Skyros. Renata Tebaldi. His contributions to form development include building on the conventional sonata form and motivic themes.

In his early period. The mother of Achilles hides him there and dresses him as a girl because an oracle prophesied he would die in Troy when he was a young man. Birgit Nilsson. Aprile Milo. Cruel traitor. Barbaro traditor. The soprano. Wikipedia Beethoven was in Prague on a pianist concert tour in February.

The premiere of this work was performed the following November by Josepha Duschek. Mozart and Haydn in form and technique. And are these last your farewells? Teeters Contrasting moods. Josephine Killitschgy. The concert seemed fraught with mishaps and was considered a disaster.

The first Viennese performance of this work was in I of anguish will-die. I already enjoy it in my imagination. Spare that heart. If there is justice in Heaven. Io gia le godo immanginando. A spectre. Tu lo sai. Ah crudel! Ah cruel-one! You want me to die! Tu non hai pieta di me?

Have you no pity for me? Such barbarous reward? Dite voi. In pity. Ah no. Congiureranno a gara tutti a punirti! They will compete with each other to punish you! Ombra seguace. Di te priva che faro? Of you deprived. I want to die for him! Per pieta.

For him I lived. You it know. Am I not worthy of compassion? I will see my vengeance. I am still what I was. I already see the lightning flash around you. Per lui vivea. Where has one heard of more cruel tyranny? You will not escape the wrath of the Gods! Risparmiate quel cor.

Though he is no longer what he was. Hector Berlioz Type: Song Cycle of 6 Poems Originally composed for: Figure 4: Paris Musical Time Period: Romantic World Premiere: Unknown Scoring: G2 — A4 Tessitura: D3 — F4 Voice: Six poems of love and loss.

Eleanor Steber Historical Significance: Hector Berlioz was a man of intense passion. His last years were clouded by illness and disappointment. Berlioz developed a profound affinity toward music and literature as a child. Hector Berlioz He composed this exquisite set of six songs in He was 17 when his father sent him to Paris to study medicine.

This first marriage eventually failed. He believed profoundly in the expressive power of music to enhance the words. He was totally enamored. Jessye Norman. The first love of his life was a famous Shakespearean Irish actress. Most of his music is based on the great dramatists and poets that inspired him. This was a terrible blow. Smithson did not return his feelings.

It was then he decided to become a composer. To gather lilies-of-the-valley in the woods. Berlioz's music sounds unique. Admiring his great lowered antlers. Le printemps est venu. Startling the rabbit from his hiding place Et le daim au miroir des sources And the deer reflected in the spring. Each song was composed or dedicated to a singer Berlioz knew at the time.

Pour cueillir le muguet au bois. When the new season comes. Spring has come. In his own words regarding this work: It is the season lovers bless. To render my works properly requires a combination of extreme precision and irresistible verve.

And the birds. Dit ses bers au rebord du nid. Above all. Quand auront disparu les froids. We two will go. Tous les deux nous irons. Sing songs from the edge of their nests. Et dis-moi de at voix si douce: And tell me in your gentle voice: And entwining our fingers basket-like. When the cold has gone.

To talk of our beautiful love. We see quivering each morn. I shall weep for evermore. Will come to dance at your bedside. I demand Ni messe ni De profundis. Here lies a rose Que tous les rois vont jalouser. My soul and all my love. O you who brought about my death. Which every king will envy. Que mon sort est amer! How bitter is my fate!

Sans amour. Dans le ciel. My dearest love is dead: Je pleurerai toujours. And for such a beautiful fate. For my tomb is on your breast. Brushed by a virginal dream. And I come from Paradise. With silver tears of dew. This faint perfume is my soul. Neither Mass nor De Profundis. That yesterday you wore at the dance. O toi qui de ma mort fus cause.

Sans que tu puisses le chasser. You shall be powerless to banish me: To set sail loveless across the sea! My destiny was worthy of envy: Et pour avoir un sort si beau. She has returned to Heaven. Mais ne crains rien. Did not wish to take me. Que de vallons et de montages. Itself adrift. Comme une fleur loin du soleil. Like a flower far from the sun.

Far from your crimson smile! Entre nos coeurs quelle distance! Such a distance between our hearts! So great a gulf between our kisses! O bitter fate! O harsh absence! O great unassuaged desires! And how I loved her! As I loved her. Que de villes et de hameaux. Which heaven alone can hear. Is spread like a shroud. Lies in her coffin. So many towns and hamlets.

So many intervening plains. Seems to mourn! Je chante ma romance I sing my song Que le ciel entend seul. Sing its plaintive song! On that yew a pale dove. These beauties of the night. Un air maladivement tendre. Sad and solitary at sundown Chante son chant.

Tu reviendras? Will you return? With the song. Sings its song. Delightful and deathly at once. A melody of morbid sweetness. Les belles-de-nuit. Passes in a shimmering beam. Un air. Une ombre. Waves plaintively? Jettent leur parfum faible et doux Shed their fragrance sweet and faint Autour de vous. En voile blanc. About you. In its black cloak.

A lovesick angel sighs. Triste et seule. Of a memory. Veiled in white. Sur les ailes de la musique On the wings of music On sent lentemente revenir You sense the slow return Un souvenir. Where is it you would go? La voile en-fle son aile, The sail is billowing, La brise va souffler! The breeze about to blow! For cabin-boy a seraph. Or the Isle of Java? Or the flower of Angsoka?

Where love endures forever. In the realm of love. La brise va souffler! The breeze is about to blow! So that. Shining spheres in the wide universe. Halte an dich. Then the angel floats down Und es sanft gen Himmel hebt. Die ihr umringt den Weltenball. My soul now heavenwards! Stand Still! The primal thoughts which you are ever creating!

Hemmet den Atem. Eternal creation. Roaring and rushing wheel of time. Pleads only for release. I may measure all my bliss! Wenn Aug' in Auge wonnig trinken. I often heard them speak of angels. Messer du der Ewigkeit. Seele ganz in Seele versinken. One nature in another finds itself again. Wesen in Wesen sich wiederfindet. And gently lifts it to Heaven. Is full of longing.

Genug des Werdens. You are the measurer of Eternity. Enough development. Schwellende Pulse. When one eye another drinks in bliss. And melt away in a trickle of tears. And one soul into another sinks. You who surround the world globe. Slow your breathing. Da der Engel niederschwebt.

Erkennt der Mensch des Ew'gen Spur. And solves your riddle. Ein Geschicke teilen wir. Canopies of emerald. Stille wird's. Then man recognizes the sign of Eternity. High-vaulted crowns of leaves. From the empty gleam of the day. Keinen Wunsch mehr will das Innre And no wish more does the heart invent.

He veils himself. You children of distant zones. Die Lippe verstummt in staunendem When the lips are mute in astounded Schweigen. The desolate. You open your arms. Sich in Schweigens Dunkel ein. In the darkness of silence. A fate that we share. Unsre Heimat ist nicht hier! Our homeland is not here! Draw signs in the air. Your pretty eyes red.

Fills uneasily the dark room: And when each hope's fulfillment is finished. Wenn im Meeresspiegel badend When. Baldachine von Smaragd. Silently you bend your branches. A sweet fragrance. You are seized by early death. Tell me. Schweigend neiget ihr die Zweige. On the green edge of the leaves. Though we bathe in light and radiance.

Saget mir. Kinder ihr aus fernen Zonen. Malet Zeichen in die Luft. I know well. Ob umstrahlt von Licht und Glanze. Weit in sehnendem Verlangen In desirous longing. Glory of the gloomy world. Nature gives me such anguish! Dort ein ewig Bild zu malen: Geben Schmerzen Wonne nur: And pain gives way only to bliss. And if Death gives rise only to Life. Newly awakening in the morning Wie ein stolzer Siegesheld!

Like a proud. Und dann sinken in die Gruft. If the sun itself must despair. Du am Morgen neu erwacht. Doch erstehst in alter Pracht. Yet you rise in all your splendor. O wie dank ich. If the sun must set? Und gebieret Tod nur Leben. Figure 6: France I would not want to die without having created something.

Ernest Chausson Type: For High Voice and Orchestra Duration: Maurice Boucher Publishers: Victoria de Los Angeles. Not available Vocal Range: Db3 — Ab4 Tessitura: F3-F4 Voice: High Synopsis: Exquisitely orchestrated. Jessye Norman Can be sung by Mezzo Soprano. Janet Baker. Embaument les cheveux des femme. His inherited fortune enabled him to host other like-minded artists: He had only just begun to pursue the artistic fulfillment he craved.

The whole sea goes to the great sun to be set aglow. This stunning tone poem has three main movements with sections within each. Ernest Chausson was killed when he was only forty-four. Duchen Lyrics: Birds pass by. Ruisseaux qui mouillerez sa robe. Mon Coeur vola vers toi.

You whom youth and love transfigured. Oh sky which has to wear the colour of her eyes. The sea rolls over the beach. Looking at the heavens shining. I bleed En regardant briller les cieux. Et qui me souriait un air tender et sauvage. Vous qui tressaillerez souls ses chers petits pieds.

Dazzling waves roll. Et je saigne silencieux and. Wills sound the hour of farewell! La mer roule sur le ravage. And roses rained upon us from the part-opened sky. O ciel qui de ses yeux dois porter la couleur. That it is the hour of farewell. Au grand soleil la me rest verte. Let me see my beloved! And which smiled to me with a tender and wild expression. Des oiseaux passent.

Upon seeing my beloved smiling strangely. A terrifying dance. The inexpressible horror of the dead loves. Rolled like the dead leaves. Our brows had paled like the brows of the dead. Fall the dews. Like a water-lily. To remember so much — soon! V Le vent roulait les feuilles mortes. Covers the sound of my sobs. Une danse effrayante.

Le vent a change. The spring is sad and cannot blossom. No flowers in bloom. With our love has died forever. And you. Is passed. Joyful and sweet springtime of the year Qui vins. That fatal word written in her large eyes: Les lilas en fleur et les belles roses. Et toi. Figure 7: Maurice Ravel Type: Song Cycle with Orchestra Duration: Victoria de los Angeles.

Alfred Cortot Artist: Jane Hatto Scoring: C 3 — Bb4 Tessitura: E3 — E4 Voice: These poems have a sense of longing for the sensual. Maurice Ravel. Using three of the poems. He had always felt the Orient had a sensual allure and created music to reflect the exotic texts. Ravel became known for his impressionistic music. Greatly influenced by Debussy.

He never fully recovered and in had a neuro-operation which failed and he soon died. Ravel was a piano major at the Conservatoire de Paris. Ravel created an extraordinary work which was very successful in its premiere on May A scandal ensued when Ravel. He never married. Eastern European folk songs.

Along with Debussy. He was also highly influenced by the musical elements of Asian and Russian music. Dispense life or death at will. Over dark faces with shining teeth. Et des cadis. Like an huge night bird in the golden sky. Je voudrais voir des yeux sombres d'amour I should like to see eyes darkened with love Et des prunelles brillantes de joie And pupils shining with joy Et des paux jaunes comme des oranges.

Je voudrais voir de beaux turbans de soie I should like to see beautiful silk turbans Sur des visages noirs aux dents claires. With light minarets in the air. To an old. And robes with long fringes. Vieux pays merveilleux des contes de nourrice Ancient. Mysterious and alone.

I should like to see Persia. McGregor Lyrics: Asie Asia Asie. In her forest. Surrounded by white beards. Je voudrais voir la Perse. Careful adherence to the text throughout. Rocking tonight in the habor. Against skins golden as oranges. Translation by D. Je voudrais voir des pauvres et des reines. Les mandarins ventrus sous les ombrelles. To interrupt the tale. Kern Holoman Ravel I should like to see roses and blood.

With his great curved oriental saber. Je voudrais voir des roses et du sang. Over poetry and beauty. I should like to see paupers and queens. Et les princesses aux mains fines. Je voudrais voir mourir d'amour ou bien de haine. With a figure in the middle of an orchard. I should like to see dying of love or of hate.

Pot-bellied mandarins under umbrellas. Novello and Company Limited. Figure 8: London Gustav Holst Type: Scena for Soprano and Orchestra Duration: Walt Whitman: The poem. The Mystic Trumpeter. English horn. Gustav Holst Artist: Cicely Gleeson-White Scoring: B2 — C5 Tessitura: E3 — F4 Voice: The Planets Suite.

He was stricken with a nerve condition that prohibited his playing and studied the trombone instead. Claire Rutter. Old English folk songs. Depressed at not winning the coveted Ricordi Prize. He died on May His later years were plagued with stomach problems and after surgery. Ralph Vaughan Williams. Gustav Holst was born in England in and began piano lessons at an early age.

While attending the Royal College of Music in London. Lace I follow thee. An early work. I walk in cool refreshing night the walks of Paradise. That now ecstatic ghost. The fretting world. Now low. Hovering unseen in air. That I may thee translate. Now pouring. Bring the old pageants. While at thy liquid prelude. There is Scary Arto and Sexy Arto.

Both musics seem dreamlike. In the sense that there are many kinds of dreams. Disc 2 was something much more unusual: The choice to marry Sexy and Scary into a single performance was striking and bold. I cannot speak for Arto, but my read of the statement was that it rebuked the notion that his vision is somehow binary. It felt like fresh terrain. Though the album certainly favors Sexy Arto, its fearlessness makes us let go of our boring, dichotomous ideas.

On offer is the full, inimitable Arto Lindsay range of texture, noise, technology, ensemble playing, melody and poetry, sensuality and intellect. You will find that you stop analyzing and parsing. You will find that you surrender. Betke coaxes you in with the first two tracks, Wurm and Sieht Hoch, which share the same lazy-eyed string refrain whilst subtly implementing an upwards shift in momentum.

From here there is some real head-crushing moments. Ryuichi Sakamoto — async Milan, — Ryuichi Sakamoto has announced a new studio album, async, out April 28 via Milan. Find the tracklist and artwork below. A world premiere listening event for the album in 5. They involve earthly matters of love, work, and engaging in vices.

They are parables about the relationship between human beings and God. The fact that the meanings intertwine so well reveals his talents as a songwriter and philosopher. Olney understands our worldly actions have a ripple effect that goes far beyond what an individual may intend. Everything is connected to everything else. He also takes things slow and easy, even when all hell is about to break out.

The narrator needs backup. But his instincts tell him something is wrong. Whatever the case, he needs the boss to come down and take care of the issue. Does he mean god and modern life or a worker in a nameless factory? The answer is yes to both. There is not a clunker in the bunch.

The self-referential treatment of this pursuit now as an older man adds another layer to the cut. Or in terms of the song itself, what does last call matter when tomorrow is another day? What does material gain and fame in life mean if there is an afterlife? Olney sings and plays acoustic guitar and harmonica on the album.

The mostly acoustic instrumentation gives the sound an organic feel, rich with the compost of various Americana traditions. One can hear echoes of waltzes, two-steps, folk songs, country blues, and Southern gospel weaved into the mix. Whatever the case, action needs to be taken. Or not. Sometimes it is best to let the phone keep on ringing and the train go down the rails without hopping on.

Olney makes no claim as a preacher. He understands the attractions of sin and the limitations of clean living. He just pens songs that illuminate the human condition. The primarily instrumental group, who operate out of their vintage analogue studio in East London called the Quatermass Sound Lab, bring in a new singer on album number four — a young Slovakian singer called Barbora Patkova.

The result is an album that takes the band, already solidified in ever-expanding grooves and rhythms into new previously unexplored dimensions. Kreidler — European Song Bureau B, — krautrock leftfield. His voice is beautifully augmented throughout by tasteful arrangements including flourishes of piano and a string section.

The album was recorded in the city of Memphis at the historic Sam Phillips Recording studio and produced by Matt Ross-Spang who began working at the legendary studio when he was 16 and recently won a Grammy for his work with Jason Isbell. This yearning for a sense of home. Musically, I think this record is more focused than any before. Those are kind of my superpowers.

The instruments on the record never intrude on my voice and words. Best and Lewis are joined on the full set by the rhythm section of Ben Adamo and Ed Chivers , marking their debut as members of the group. Best has explained that they were trying to capture the flow of their live shows on the album, and they do seem reinvigorated, not that they ever seemed to be waning.

As per usual, the lineup has been tooled with a bit — they are now an eight-piece — but brooding baritone Allen Tate and charismatic N. Each song blends looping, delay and ambience in a familiar and trusted way. Nothing ground breaking, but for fans of ambient, new-age and drone minimalism then this album will be a nice new addition to your collection. He fled to Pioneertown, CA.

As Herda began writing the follow up he fell in love again. Without warning, she too flew the coop. Armed with his destructive mind and shattered self, Herda returned to the same room at the Pioneertown Inn to see if there was a little magic left, hidden under the bed or behind the bureau.

There was. Goodnight Jaybird is a collection of pretty love songs. Japan has long been known as the final destination for many a collectible soul record. Yet, who suspected that some fine soul grooves were recorded for the domestic market, from ballads, to funk and disco?

Strangely enough, some of the busiest writers and producers in this field came from a late 60s rock band, Happy End, but on listening to their collaborations, their rhythmic, soulful feel is immediately apparent. The bluesy funk of Lily; the maverick genius of Haruomi Hosono; the lively songstress Yasuko Agawa; and the sultry steaminess of Mari Natsuki, and more.

This album finally plants a Japanese flag firmly on the global map of soul. Adding Leifur Bjornsson on programming, Low Roar issued their second album, 0 , co-produced by Scheps and Mike Lindsay Tuung, and featuring Icelandic darlings Amiina on strings, in Ryan wrote the new album moving between Warsaw, Mexico City, California and London, where he finished recording and mixing with longtime collaborator Andrew Schepps.

The results were the same: Ultimately, it is deeply personal music that emerges, not out of an external landscape, but from within the most basic human emotions. But then I realized that moving to a new city, and starting a new life takes time. Usually I just write, record, and put it out; no problem. But this time, I wrote them and they sat.

It was a different vibe. So this is a new thing for me. All these twists and turns, though, are uniquely Gelbian. Even the most considered retain a relaxed feel, where a clever rhyme or humorous quip trumps any literal sense, and the loose music vibe never drifts far from the open skies of his home range.

Released in , the first Arizona Amp and Alternator LP served as a revved-up extension of his country leanings and featured a host of cameos, including the likes of M. Such a hodge-podge would instantly qualify as completists-only fare for most musicians. But the rules are different for Gelb, whose whole career has celebrated the alchemy of happy accidents.

These photos were paired with a video installation by Takatani and music composed by Sakamoto. This release features the whole score composed by Ryuichi Sakamoto for this unique art installation. Slowdive — Slowdive Dead Oceans, — is the upcoming fourth studio album by English rock band Slowdive. It is scheduled for release on 5 May , on record label Dead Oceans.

Taking his already minimalist composition style Federico challenged himself by using only one synthesizer for this beautiful album of sparse, hypnotic dustiness. His talent for creating works of so much emotion out of so little attest to his concentration when working and his passion for the craft.

Music with a humble origin and a deep resonating soul. I used a small sound palette: The Crumar was my first synthesizer. I bought it many years ago and then gave it to a friend, who later lent it to my brother. After a very long time, I got it back when we moved to La Cumbre, a small town in the central mountain area of Argentina.

As this instrument has a very limited but beautiful oscilator, it was rewarding to make small melodies using only its almost magical sound. I was enchanted to have the chance to play with my Crumar again: The electric noises of my old, broken keyboard, were an unexpected and musical gift and a humble proof of the passing of time. This album is organized by exchanging alternate sound files Hatakeyama and Durand by internet.

A simple analog synth tone was processed with a modular synth, an effector, a cassette tape, etc… That tone is just like the sound that came down from the heavens. This album has a silence and a simple structure Ambient music like William Basinski. Unsure how to react, we, collectively, did not react. We grieved for a country and an ideal we never thought would die.

We grieved for a loss of certainty. We argued about what we thought would happen. We preached understanding. We advocated for anger. Everyone was right. Everyone was wrong. Art made in precarious times matters as much as we let it matter. But what are we looking for from the art we enjoy? A reckoning with harsh reality?

A temporary shared hallucination? Music can heal because it presents the pain of being human as universal. It is a document of protest in uncertain times and an open-hearted rejection of cynicism in favor of emotional honesty. It is bright, and then, unexpectedly, a little dark sometimes too. There will be parts of life where we will watch as events unfold and we will feel helpless.

We will not be sure of the future. Love is Love is a document of the new world we live in, proof that light can come from despair and hope is still possible. We just need a little help remembering it exists. Most of them will also appear with her live. Her visual art work has been shown in cities including London, Tokyo and Portland and has been published in three monographs.

The darkest side of Dub. Recorded live in the mix for an art installation exhibit held in Ann Arbor, MI. This song has been worked on through out the tour with different lyrics to the second half while always maintaining the first half staying the same and spanning about 30 min in length. Another song being played on the recent tour was written towards the end called twenty something or Johnny Saint Lethal about a guy of the same name who gave Mark a book he wrote titled Twenty Something.

Its themes are existential and broad, but they also characterize the cultural and political dumpster fire in which we find ourselves engulfed today. If you can muster the strength, simply lean into the fear. All things must pass. Whatever comes, just let it arrive. Terrible Freedom is his sixth album. Reflecting a change in lineup, changes in geography, and a general desire to move forward without looking back, the record recasts the band in a new light — one that replaces the ennui of teen suburbia with an adult version.

Adna — Closure Despotz Records, — On her new album Closure , Swedish Singer-Songwriter Adna Kadic, going simply by Adna , demonstrates how she can cover and clothe the gloom of her soul, despite all the goods it stashed away. Releasing her self-titled debut EP in , just before her 18th birthday, soon Despotz Records discovered the young, introverted singer.

Using music as a way to paint the words that are hard to roll out of the tongue, she started exploring the deepest caves of her songwriting abilities. It is a song of soul-searching and there is tenderness in every piano tooth pressed and a fierceness in every muscle of the drum. The singer claims she was in an apathetic state of mind when she birthed the song, but wanted to shed light on her background and her refugee parents.

This release on the Berlin label Bright Sounds follows a remix he did for their last release, from Andreas Tilliander. As with the Latency record, it consists of older tracks. On The Pestle , knowing this fact made the vivid, timeless music even more powerful. The other tracks are ultra-subtle rhythm pieces made from soft percussion and micro-samples.

Both are quietly fascinating, but the latter track takes the cake thanks to its dull ripples of delay. As with everything on this release, it seems like it might evaporate at any minute. It is a mix-tape, a fever dream, a love letter dedicated to those cities that I cannot get rid of, to those cities that are all inside of me. Luke Sital-Singh — Time Is A Riddle Raygun Records Ltd, — the second album from singer-songwriter Luke Sital-Singh, pushing pass label politics with a desire to create his follow up album on his own terms, Like Sital-Singh has created a collection of intimate and caring songs that hold vulnerability and braveness hand in hand.

Well-used to playing together, the band slotted together effortlessly for a series of recordings over ten days. These recordings were digitally transferred using Apogee convertors to ensure the integrity of original master tapes were preserved. All four passages have a life force all their own, deep and hypnotic, sonic submersion.

Fred Frith is a world renowned improvisor, composer and multi-instrumentalist who has positioned himself on the contemporary music scene between rock and jazz, improvisation and compostition. Experimental saxophonist and bass clarinetist Hans Koch has a similarly superb reputation.

In the past few years Hans has dedicated himself to the quieter side of improvisation. Both musicians have extended the possibilities of their instruments and stepped into new territories. The pair have known each other since the Nineties. It is the music of two mature masters who have worked all their life to develop their own musical language.

He previously released his full-length album Bless on Atomnation , an LP as Surfing on p , and another Portable Sunsets album on the Magical Properties label Order is the follow-up to these records and it is a dreamy, somewhat lo-fi experimental techno LP. Combined with an ancient ambient undertone, Order does not lose its club ready vibe — This record floats somewhere between laid-back warehouse techno and electronica.

Vocals have become textures and are used as a synth, pad, or soundscape. The combination of genres makes Order a perfect record to dream away to at home, as well as to dance to in clubs. Comes in a gatefold sleeve. One part foggy warmth, another stark desperation, the results are truly unique, and utterly compelling. A veritable opiate high that draws you in before refusing to let go.

She currently lives in Austin, Texas. The album is scheduled to be released by 4AD on June 9, His The New Standard , a fine outing, fits well within the mainstream. Those songbook forms rooted in folk music seem especially important here, with Dylan and The Band sharing that foundation. This trio format—and this particular trio—suits him.

The 4 titles featured exclusively in the EP provide a preview of his forthcoming album for Blue Note on which Tony Allen pays tribute to his longstanding idol, American jazz drummer Art Blakey. This makes it all the more danceable. The first lines of the song: Year after year they have to deal with all the aching of wounded hearts.

How do those words even fit in there? Well, they do. Vocalist Jessika Neuman has a very personal touch in her way of singing. Listening to her vocals is fascinating, as she continues to develop a style introduced in her previous band Le Futur Pompiste some seven years ago.

The original concept was influenced by the raw and seemingly endless jams of psychedelic pioneers. While improvisation is essential to their songwriting process it can take on many forms. This record enabled the band to experiment not only with instrumentation but also atonality and a playful approach to mixing. The unexpected results have become five unique songs each woven together through the same process.

He returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the Makossa style popular throughout Cameroon. So why has it taken almost eight years from that first visit to the final compilation? From the very beginning, there were several mysteries hanging over Pop Makossa.

This double CD set features the original mix as well as 3 beautifully hypnotic dub reductions from cv, an epic 60 minute beautifully composed hypnotic and entrancing ambient rework from variant, which might be one of our personal favorites to date. A passionate, galactic, deep voyage on the other side of the galaxy.

See you in the stars…. Like all of the previous albums, the band recorded the seven pieces at home in Britanny during several sessions between and All of these elements painted in monochrome black. We have two limited colored editions available. By the end of the year there were 30 hip hop singles, all released by independent New York labels.

The following year there were over more and so on. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco. Utilizing piano, guitar, glockenspiel, flute, vocals, and found sounds, the album contains the fragile yet melodious nature that both artists have become known for. Album Preview.

Ship-Scope , a near-perfect EP of shimmering ambient techno credited to one Shinichi Atobe, a total unknown. Unknown he remained: Chain Reaction gave up the ghost two years later, and Atobe dropped out of sight, seemingly for good. Many listeners assumed that he was really another Chain Reaction artist in disguise.

The Man — Woodstock Atlantic, — is the upcoming eighth full-length album by Alaskan rock band Portugal. The Man , scheduled for release on June 16, through Atlantic Records. After having released Evil Friends in , Portugal. This album was eventually shelved, partly due to a conversation between John Gourley and his father and the discovery of a lost ticket stub from the Woodstock festival.

With Ghost Stations, their ninth studio album released in August last year, Marconi Union were not afraid to accept the challenge of making new music rather than just repeating their earlier work and were well aware of the risk of trying new things.

Once the title was decided upon, everything fell into place, connecting ideas of abandonment, empty spaces and dereliction. The Fifth State Of Consciousness is an exciting listening experience invoking a story of overcoming the shadow to rise above and painted with otherworldly sounds. Each of the 12 songs is a story and together form the larger narrative that is the album as a whole.

Thru all its peaks and valleys the larger arc of themes within The Fifth State are about dreams, loss of innocence, strength and seeking an enlightened state of being after trials and tribulations. Produced by Aaron Coyes, the whole creative process was filled with nerdy gadgetry, playful experimentation and deep alchemical soul searching for a musical medicine.

The music and culture began to be more widely accepted by Reunionese society from the s as folklorist Georges Fourcade began to play maloya songs. Most notably, the band Cameleon honed their sound here — with maloya legends Alain Peters and vocalist Herve Imare involved, Cameleon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia.

Ote Maloya tells the story of this fertile period in Reunion Island music for the first time and features the full spectrum of maloya styles. Both formats come with an extensive booklet featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery. Sam Baker — Land of Doubt Self-released, — The recording represents a deepening of the approach Baker has pursued since his debut album Mercy: But there are a few new twists as well.

Baker himself switches from acoustic to electric guitar for this project. When Baker first emerged 13 years ago, the chief story was how he had survived a terrorist bombing in Cuzco, Peru, to reinvent himself as a first-rank singer-songwriter. Five albums later, however, the main story now is his continuing growth as a songwriter—broadening his range and deepening his impact.

He continues to perform widely in North America and Europe. These themes revolved around the feelings that accompany a dystopian or uncertain future, either on a personal or universal level. Within this bleak feeling is a thin line of exploration or searching — is there is a way to put the pieces back together, or does one just escape?

The tragic event bonded the two, and became the seed from which the band was born. Perhaps because of the dark events surrounding its inception, Night Drive often focuses on the darker abstract currents of emotion. Inspired by sci-fii cinematic landscapes, they create modern synthpop with infectious melodies wrapped in thoughtful lyrics.

Carried along by pulsing dance beats, the result is a stylish and energetic sound that has been featured in film, TV, and radio around the world. Like a warm blanket, this batch of songs are meant to surround and comfort the listener with fuzzy vibrations and soft tones.

Ducktails — Hummingbird Babysitter compilation, — 2nd compilation of unreleased tracks. Recorded from — by Matthew Mondanile in Los Angeles. Hummingbird Babysitter. It was recorded after a long period of hibernation, during which their seminal Biokinetics album was reissued. A deeply cinematic, string-soaked album rich in atmosphere and brooding ambience. Its origins however, began in India, with Cottee trying to leave rainy-city heartbreak behind.

So I shipped out to India in January I find that juxtaposition hugely creative. The night in India can be quite a foreboding place. Me and a mate would make late night excursions inland — into the heart of darkness. Not quite Apocalypse Now but enough to take you out of any semblance of comfort.

Expansive and engrossing while feeling brilliantly restrained at the same time, the new track is streaming below right now; the full album gets a release on June 22nd. Why would Beach House put out a B-sides record? Their A-sides are like B-sides. Our goal has never been to make music that is explicitly commercial.

This compilation contains every song we have ever made that does not exist on one of our records. There are 14 songs in total. Very groovy! The cover artwork is a pastel yellow square. Two warriors for peace, a vat of chemicals and an LSD cookbook. What could possibly go wrong? Original score by The Heliocentrics. Avenging Angel ; Chants ; and Daylight Ghosts Beyond those, his discography as a leader is slim — as opposed to his prodigious sideman contributions.

Taborn, in addition to his status as a top tier jazz pianist, is one of the more dynamic employers of electronics in his music. Craig Taborn: To his ever-growing collection of releases under the name The Yearning, you have to add the fantastic Lia Pamina album he produced and composed, as well as several new and very different projects. His productions are becoming more and more well-known all over the world, from one side of the planet to the other, from the US to Japan.

Their signature effusive, romantic, and elegant sixties-style pop is already a well-known trademark! The result is truly amazing. This album is in many ways full circle with Bjorn and Thomas making music together for the first time. Square One is a collection of loose, abstract and freeform avant-disco jams, parallel world-disco maybe Whatever you call it, this album is a labour of love.

A sound they both have traveled towards for all these years. And here they finally are, at square one. The album was recorded live in Taakeheimen Studio, Oslo, in the spring of with both guys manning an instrument each in each overdub, piling the layers of sounds on top of each other. A year later they took the now edited tracks and mixed them down in live takes with all hands on the desk in Malabar, another Oslo studio.

After a couple of rounds with some very blunt scissors the tracks became what are now included on this album. Square One is a meeting of two minds. Probably as close to their musical soul as you can get. Paul K. The Radio Dept. The first two tracks, and the fifth and sixth, do exactly this, with each pair involving a free-time solo building into a deep groove.

Another strength of this record is the rich tapestry of references. White Man. Black Emperor or Swans. Fans of post-rock and experimental music styles, will devour the sumptuous textural palette this record provides. Also weaves critical dissent together with complexity and compassion. Here, unknowable sounds hover, skitter and undulate against a backdrop of refined, futuristic grooves.

When the first percussion drops in after a minute, a robotic voice says something indistinguishable, but the delay effect blends the voice into the musical texture. As the song unfolds, a variety of synthesized, warped sounds create an aural ecosystem for listeners to get lost in.

Continuing the theme of La Equidistancia , Leandro and Rafael on companion three-track EP titled La Espera explore more of their deep, swirling and mysterious textures over this three-track EP. Track 4 is a bonus alt master featuring all 3 tracks mixed. As if a djinn were mapping out a higher order logic map.

This is some visionary work that is riddled with contradicting non-human concepts, brought to life with geometry and intuition. Ixm — Dub Sessions 1 rohs! The result was a series of recordings that could only be created by friends. They represent the great art of guitar playing by three exceptional musicians looking for new sonic adventures in search of the sound of our time.

Luaka Bop wrote: So, we put together a band to play his music live. It was never intended to compete with his original work, but meant to share his music in a live setting. Band , which over two years came to feature nearly fifty amazing musical guests and collaborators.

For each show we did, we would ask different musicians to join, always trying to make it a little different, or a little more special for where we happened to be. After 20 shows around the world, we found it so enjoyable and special that we wanted to document the group in a studio.

So after playing at Bonnaroo Music and Arts Festival in the early summer of , we went into the beautiful Blackbird Studio, in Nashville, Tennessee. Two years later, we have these recordings that we would like to share with you all. Demen Irma Orm — Nektyr Kranky, — is the work of Swedish songwriter Irma Orm aka Demen , who was signed to Kranky after anonymously e-mailing the label links to 3 songs.

The album took a few years to materialize, which might not be the right word, given how vaporous and ethereal it sounds. The songs themselves take their sweet time to progress, typically starting off with vast, glacial droning before slow, heavy drums come in if they appear at all. Not all of the songs have vocals, though. It shares many qualities with earlier sets, its pastoral-folk style, for one, as well as arrangements in which acoustic guitar, glockenspiel, mandolin, kalimba, cello, and the like prominently figure.

But the new collection does part company with earlier releases in one respect: Working with his sidekick Kermit and producer Youth, Ryder reverts to his old loves: Ryder never abandoned these signatures but Pop Voodoo puts them in sharp relief, partially because Youth keeps the emphasis on the vibe, not the words. Not that Pop Voodoo would be heard in many dance clubs in Black Grape never make any attempt to navigate the neon-blasted aftermath of EDM, choosing to assert their middle age by re-appropriating their favorite sleazy sounds from the past.

Every track was originally recorded down to an old Tascam , an 8 track cassette recorder purchased and abused since and to our ears still sounds quite impressive even by modern standards. Mokoomba — Luyando Out Here Records, — Hailing from a border town in Zimbabwe, Mokoomba is known both at home and abroad as a group of rising stars.

Every track feels like a team effort, with strong vocal harmonies and rapid-fire drums often dominating, accompanied by blissful guitar. Stripped down to these bare essentials. Luyando almost feels like an intimate studio session. Mokoomba unplugged. Established fans may be shocked at the outset, but the change in technique works out well.

VA — Soul of a Nation: Named after a Merrie Melodies short, Daffy Duck in Hollywood is a collection of decidedly lo-fi cuts recorded between and Additional arrangements, synths and drums by Saad Khan. Backing vocals by Nadi Mack. This was not a metal band. He even says that when he made The Source his debut album for Blue Note Records , it was the best recording in his whole life.

The saxophonist Yann Jankielewicz, who has been playing alongside him for nearly a decade, observes: Blue Note is one of the most prestigious names in jazz and a label that has opened its sphere of creativity considerably wider since its renaissance in the s. The jazz here navigates its way back to the source in Africa, creating a sound that is totally captivating.

It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the s.

In Egypt this trend already even started in the late s. Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Hany Shenoda is the man behind the Al Massrieen band.

He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. This slo-mo beauty is smothered with rich vintage synth flair and dusty drums: Another heartfelt arranged mix of instruments, synths, samples and drum machines by Eddie C.

Every once in a while comes an album like this that swims upstream amidst a current of musical ideas, and the title of this one is only partly the reason. Commonly when one thinks of dance music sequencers, arpeggiators, patterned bass lines and looping software are all major forces that help shape our conception.

While the danceability factor languishes more on the chill side of things and the album is best suited to be played on a warm sandy beach with an endless sunset, the ebb and flow of ADM is a perfect blend of warm intoxicating patterns, catchy hooks and soft hypnotizing vocals. The other interesting piece that makes this record glow is that ADM makes no apologies about celebrating life and does so without a sense of overindulgence.

ADM blissfully embraces all that is good in the world and encourages us to walk away from things that drag you down. The optimism is simply intoxicating and it comes at the right time when the headlines are constantly advertising the darkest parts of humanity. ADM is the feel-good record of the summer, and perhaps will retain that position for many summers to come.

Roosevelt — Midnight Versions EP City Slang, — If the music of Roosevelt sounds like Future Islands signed to Kompakt, it is because sole member Marius Lauber ran through a bunch of teenage garage bands before submitting fully to the techno of Cologne. As a teenager, Lauber lived in the Cologne suburb of Viersen, where he cut his teeth strumming guitars and singing in indie bands.

And, while African is a pretty sweeping label, Vancouver was exposed to one of the very best, a celebrated axe man and soaring vocalist from Guinea; Alpha has since racked up 3 Juno Awards and numerous other trophies and accolades. Throughout his career thus far, he has intuitively recognized the value in collaboration a contributor to the two Guitar Summit recordings and last year, touring with kora master, Prince Diabate.

And now comes his most radical reinvention to date, Mosulu, a partnering of Alpha Yaya Diallo and Montreal production company, Quicksound who have worked their makeover magic with many prominent artists and projects from Lionel Richie to Cirque du Soliel to Bran Van Classic Alpha compositions would include long, groovy jams that delighted dancers in live performances but were a little unwieldy for radio programmers.

Astutely, the Quicksound team keeps the Mosulu package moving with all the songs clocking in at just over 3 minutes. He is an artist for the ages and Vancouver should be terribly proud. From a place of anger and of understanding. We have been living across from a huge construction project — a ten year overhaul of an old research and devolpment complex in Dearborn owned and operated by FMC, and it is ruining our lives.

Day by day and bit by bit our house and mental health fade. Our beautiful historic home has cracks and issues and is covered in dirt and cement dust each day, with the sounds of cranes rumbling and cement trucks beeping going on for 12 hours a day, 6 days a week. We tried to move, and found our home had been devalued until the work was done — in ten years….

These 15 tracks should serve as a necessary starting point. Mixed September 17th at Testcard Studios, Berlin. Her new band project Obelisk is a super-band featuring three of the most acclaimed and original players in the Downtown scene—Okkyung Lee, Jim Black and Sylvie Courvoisier. Strange and beautiful music from a legendary master of laptop improvisation! It was recorded over a period of two years in Berlin, Melbourne, Paris and Italy..

Fischer created Loss over several years, finding inspiration to complete it during his time at the Robert Rauschenberg Residency in Captiva, Florida, in early The album is a particularly emotional work as Fischer explored what loss means to him and how to cope with the permanence of absence.

The result is decisively somber and perhaps one of the darkest, most emotional albums in the 12k catalog. Fischer manifested the concepts of loss in his compositions through the use of generation loss from reel-to-reel tape, re-recording sounds through various speakers in physical spaces, layering, and the use of sounds that have been physically displaced from their source.

Conceptually, he listened inside the degradation of sound, pulling out chance moments of beauty and hope amid the rubble. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context. Micah P. We follow their story, we see their decisions, we see their faults and their beauty.

We live with them, we die with them. Two years in the making, Micah wrote and recorded The Holy Strangers in Denison, Texas, incorporating ancient reel to reels, analogue keyboards, old Tascam and Yamaha desks. The recording only entered the digital realm once pre-mastering took place.

Split across two pieces of vinyl, the 14 tracks which make up The Holy Strangers are at times sparse and haunting; at other times luscious, maybe even euphoric. Many of these releases originally appearing on Octal Records took center stage on the walls of the dance room Record Time circa canned by Detroit Legend, Mike Huckaby.

This release will mark the fourth installment to the coveted series and returns to form with a stone cold classic from the DC vault. The first time ever released on CD including unreleased material , lovingly remastered and assembled by Rod Modell. Great measures, focus and time were spent to preserve the analog warmth and sonic integrity of the original masters.

Expect gorgeous plumes of sound deeper than the ocean floor — a rich analog tapestry made in the heart of Detroit, Techno City. From her DIY days self-releasing CDRs through her ascent as a defining voice of a new folk tradition, Natalie Mering has always possessed a proclivity for exceptional taste.

Whether influenced by her bloodline of musicians or the cast of curious coastal characters she encountered while exploring life and sound, Mering always took special care to acknowledge the artists that shaped her music in live Weyes Blood performances. Axefield — Pressure Drop Atomnation, — tags:

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